In 1623 Richard Jobson published an account of a 1620-1621 English voyage up River Gambra, during which a party, led by himself, penetrated to a point some 460 miles up-river. The purpose of the voyage was to make contact with the gold trade of the West African interior, but in this there was little success. However, Jobson's account of the river, its commerce, natural history, peoples, religions and polities, was the earliest to appear in print, in this fullness of detail, in any language. It was also the earliest detailed account of any part of Black Africa, by an Englishman. Jobson's account, almost entirely original, has special interest in its author's observations on the African scene, particularly those on the African peoples and individuals encountered. Jobson discusses such topics as local agriculture and trade, the role of Islam, political culture, and the position of women. Despite the limits of his experience, his observations are seemingly accurate and generally perceptive, as well as being (perhaps unexpectedly) often tolerant and even sympathetic.

From school punk to modern day film producer, Richard Jobson has lived a full and colourful life. A harrowing incident as a child left him suffering with epilepsy but he was a mere fifteen-year-old when he launched the punk rock band The Skids in 1977 with his songwriting partner Stuart Adamson. With hit singles including the immortal 'Into The Valley', after four albums The Skids folded and Jobson formed The Armoury Show whilst Adamson had moved on to form the successful eighties band Big Country. In this cathartic story, Jobson talks candidly about the many trials and tribulations that have shaped his life. He talks openly of his breakdown during the making of The Skids' third album The Absolute Game, detailing the suicidal thoughts going through his mind at the time. More pertinent than he could have imagined given that writing partner Stuart Adamson was to take his own life two decades later. They had remained friends following The Skids break-up and their relationship is explored in detail throughout. In the 1980s Jobson became a familiar face on television as a presenter and film reviewer for Sky Television. In June 2013, he was awarded an honorary degree (Doctor of Arts) from Edinburgh Napier University. Today he is a successful filmmaker but his life has also gone full circle. In 2017 he reactivated The Skids. A successful UK tour prompted demand for more shows in 2018 as well as the band's first new album for over three decades, making this the perfect time to write his memoirs of his time in the band. Into The Valley is a riveting read and a perfect illustration of how one man overcame his disability to become successful in the world of music and film. A first hand account of the late 1970s and early 80s that will appeal not only to punk rock fans but to anyone identifying with Jobson's triumph over adversity.

In 1623 Richard Jobson published an account of a 1620-1621 English voyage up River Gambra, during which a party, led by himself, penetrated to a point some 460 miles up-river. The purpose of the voyage was to make contact with the gold trade of the West African interior, but in this there was little success. However, Jobson's account of the river, its commerce, natural history, peoples, religions and polities, was the earliest to appear in print, in this fullness of detail, in any language. It was also the earliest detailed account of any part of Black Africa, by an Englishman. Jobson's account, almost entirely original, has special interest in its author's observations on the African scene, particularly those on the African peoples and individuals encountered. Jobson discusses such topics as local agriculture and trade, the role of Islam, political culture, and the position of women. Despite the limits of his experience, his observations are seemingly accurate and generally perceptive, as well as being (perhaps unexpectedly) often tolerant and even sympathetic.

This book examines the impact that nostalgia has had on the Labour Party's political development since 1951. In contrast to existing studies that have emphasised the role played by modernity, it argues that nostalgia has defined Labour's identity and determined the party's trajectory over time. Jobson outlines how Labour, at both an elite and a grassroots level, has been and remains heavily influenced by a nostalgic commitment to an era of heroic male industrial working-class struggle. This commitment has hindered policy discussion, determined the form that the modernisation process has taken and shaped internal conflict and cohesion. More broadly, Labour's emotional attachment to the past has made it difficult for the party to adjust to the socioeconomic changes that have taken place in Britain. In short, nostalgia has frequently left the party out of touch with the modern world. In this way, this study offers an assessment of Labour's failures to adapt to the changing nature and demands of post-war Britain and will be of interest to both students and academics working in the field of British political history and to those with a more general interest in Labour's history and politics. -- .

This book examines the impact that nostalgia has had on the Labour Party's political development since 1951. In contrast to existing studies that have emphasised the role played by modernity, it argues that nostalgia has defined Labour's identity and determined the party's trajectory over time. Jobson outlines how Labour, at both an elite and a grassroots level, has been and remains heavily influenced by a nostalgic commitment to an era of heroic male industrial working-class struggle. This commitment has hindered policy discussion, determined the form that the modernisation process has taken and shaped internal conflict and cohesion. More broadly, Labour's emotional attachment to the past has made it difficult for the party to adjust to the socioeconomic changes that have taken place in Britain. In short, nostalgia has frequently left the party out of touch with the modern world. In this way, this study offers an assessment of Labour's failures to adapt to the changing nature and demands of post-war Britain and will be of interest to both students and academics working in the field of British political history and to those with a more general interest in Labour's history and politics. -- .

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!